A Wildness Distant from Ourselves: Art and Ecology in 19th-Century America
??"It is in vain to dream of a wildness distant from ourselves. There is none such." - Henry David Thoreau, Journal IX, 1856 Henry David Thoreau's midcentury clarion call offers a concise distillation of a prevailing, paradoxical, European American conception of the environment as other, a foil for the reason and civility of man, at times an adversary, at others an asset. From the Puritans' 17th century "errand into the wilderness" to the present, the dichotomy between man and nature has defined the European American experience in the "New World." Focusing on the 19th century, an era that witnessed both the extreme and violent exploitation of the land and its peoples and the birth of a modern conservation movement, this exhibition will unfold chronologically and move from New England to the West. Paintings, works on paper, sculptures, photographs, and decorative arts by artists both familiar and unknown from the Addison's collection will enter into dialogue with a selection of objects from the Robert S. Peabody Institute of Archaeology and compelling natural history specimens generously lent by the Academy of Natural Sciences of Drexel University to bear witness to the complex histories and persistent impacts of the 19th-century European American relationship with the natural world.?
When: Sep 1, 2019 12am to Jul 31, 2020 12am in Andover, MA
The Art of Ambition in the Colonial Northeast
The works in this exhibition speak to the complexity and ambiguity of artistic identity in the British colonies of northeastern North America during the long 18th century and to the difficulty of defining the boundaries of American art. Separated from their English homeland by the vast Atlantic Ocean, colonists nevertheless participated in a dynamic economic and cultural network that connected them with the peoples of Europe, West Africa, and South America. As British North America grew increasingly prosperous, affluent new Americans emulated the refinement and gentility of their mother country by commissioning artists to create works that expressed both colonial desires for prestige and status and the hybridity of artistic production in early America. ?
When: Sep 1, 2019 12am to Dec 15, 2019 12am in Andover, MA
Men of Steel, Women of Wonder
Superman and Wonder Woman are two of the most beloved icons in American pop culture. Created in times of economic adversity and war, these characters quickly emerged as beacons of American morality, representing the ideals of truth, justice, and the American way. Men of Steel, Women of Wonder examines art world responses to Superman and Wonder Woman ranging from their Depression-era origins to today's contemporary artist interpretations. The exhibition includes over 70 paintings, photographs, installations, videos, and more by a wide range of artists, exploring national identity, American values, social politics, and the concept of humanity. Men of Steel, Women of Wonder is organized by Crystal Bridges Museum of American Art, Bentonville, Arkansas.
When: Oct 5, 2019 12am to Jan 5, 2020 12am in Andover, MA