Hires

Large

Default

Tablet Portait

Handheld Landscape

Handheld Portait

Local Great Barrington, MA Events & Happenings

  Things to do in Great Barrington, MA  

Have an event to promote? Tell us about it!

Contact information isn't posted.
Contact Name
Contact Phone
Contact Email


Event Title
Event Address
Event City
Event Cost
Start Date
End Date
Start Time
Web Link
Please check your grammar before submitting. We do not re-write event information.
Event Description (more details are better!)
Season Pass Crescendo 2018-19
COMPLETE SEASON LISTING: SUMMER 2018 CHAMBER MUSIC CONCERT "Melancholy, Desire and Joy" The Sonatas of Corelli, Bach & Handel August 24, 6 pm Saint James Place, Great Barrington, MA August 25, 4 pm United Methodist Church, Lakeville, CT The warm and expressive tone of the Baroque flute (traverso) so moved its audiences when it emerged toward the end of the 17th century in Paris that it quickly became a very popular instrument there and in the rest of Europe. Corellis Sonatas Op. 5, originally written for violin, were arranged in his lifetime for the traverso. The Op. 5 collection is a masterpiece, and it influenced Baroque composers like Handel and Bach, who admired and studied them. Duo Les Inégales - Rodrigo Tarraza, traverso, and Christine Gevert, harpsichord, perform some of the greatest sonatas of these three composers. FALL 2018 CHAMBER MUSIC CONCERT "A Tribute to Wanda Landowska" Music by Froberger, and Louis and François Couperin October 6, 6 pm - Trinity Church, Lakeville, CT World-renowned Polish harpsichordist Wladyslaw Klosiewicz comes to Lakeville CT, former home of the visionary performer Wanda Landowska, to play works by Johann Jakob Froberger, Louis Couperin and Francois Couperin. The harpsichord was one of the most popular Baroque keyboard instruments. Its plucked strings have a rich sound, whose clarity informs the complex contrapuntal texture of Baroque music. Almost every baroque composer wrote for the harpsichord! The 17th century keyboard virtuoso Johann Jakob Froberger was the first composer writing titled, descriptive pieces for the harpsichord. He influenced his contemporaries, among them the French composer Louis Couperin and his famous nephew, François Couperin. The harpsichord suffered a long period of neglect through all of the 19th century. It was brought back to the concert platform by Ms. Landowska (1879-1959). This concert honors her legacy. This concert is funded in part by Narol Enterprise and the Adam Mickiewicz Institute. FALL 2018 CHORAL CONCERT "The Sound of the Trumpet" Celebrating Life in England and New England November 10, 6 pm Saint James Place, Great Barrington, MA November 11, 4 pm Trinity Church, Lakeville, CT This program features two Requiems and two Jubilates of different eras. From the 17th century: Henry Purcells Funeral Sentences and Music for the Funeral of Queen Mary and Purcells Jubilate Deo, also written for Queen Mary the year before her death. From the 20th and 21st centuries: composer Scott Perkins A New England Requiem, his Jubilate Deo, and Sir John Taverners A Song for Athene, that was performed at Lady Dianas funeral. The Crescendo Chorus and Vocal Ensemble will be joined by soloists including internationally-renowned countertenor Nicholas Tamagna, period brass, strings, basso continuo and organ. Christine Gevert conducts. HOLIDAY 2018 CONCERT "Sublime Love" A Celebration of the Life of Sor Juana Inés de la Cruz December 28, 6 pm Saint James Place, Great Barrington, MA December 29, 3 pm Trinity Church, Lakeville, CT Called The Tenth Muse and Mexican Phoenix, the nun Sor Juana Ines De la Cruz is considered one of the finest poets of the Spanish New World Golden Age. She was also a philosopher, scholar and composer. Her life will be depicted through music, artwork and poetry readings. Crescendo collaborates with El Fuego, an early music ensemble from North Carolina, in a program designed by their Artistic Director, Salome Sandoval. The program features a selection of sacred and secular cantatas from the 1600s New World Colonies, featuring vocal compositions by Tomas de Torrejon y Velasco and his contemporaries. Performers are the Crescendo Vocal Ensemble, Salome Sandoval (voice, baroque guitar and archlute), Malina Rauschenfels (voice and violoncello), and Christine Gevert (organ and direction). WINTER 2019 CONCERT "Concerto delle Donne"(Consort of Ladies) Revolutionary Italian Vocal Music of the late Renaissance February 16 (snow: 22) 6 pm Saint James Place, Great Barrington, MA February 17 (snow: 24) 4 pm Trinity Church, Lakeville, CT In 1580 in Ferrara, Italy, an ensemble of professional female singersprobably the first one of their genderbecame renowned for their technical and artistic virtuosity. This ensemble, the 'Concerto delle Donne', performed formal concerts for members of the inner circle of the Ferrara court and important visitors, and revolutionized the role of women in professional music. Sopranos Catherine Hancock, Rebecca Palmer and Jennifer Tyo, accompanied and directed by Christine Gevert on the organ and harpsichord, will perform works by the Ferrara court composer, Luzzascho Luzzaschi, as well as early Italian Baroque arias and duets by Monteverdi, Barbara Strozzi and others. SPRING 2019 CHORAL CONCERT "The Mystical 16" Psalm 116 in Motets from the 1616 Collection, and in Early and Contemporary Versions April 6, 6 pm Saint James Place, Great Barrington, MA April 7, 4 pm Trinity Church, Lakeville, CT In the year 1616 Burckhard Grossmann, a merchant from Jena, Germany, after surviving a near death experience, in gratitude commissioned 16 composers from central Germany to write settings of Psalm 116. Among them were master composers of church music such as Heinrich Schutz, Christoph Demantius and Johann Hermann Schein. Our program will feature motets from this collection by these three composers, as well as Gregorian Chant, and works by Benedictus Ducis and Orlando di Lasso and J.S. Bach. Modern settings of the psalm by composers Jonny Priano and others will use contemporary poetry written for Crescendo by Bruce McEver, Frances Roth and Juliet Mattila. Three works have been commissioned for Crescendo, and will be premiered at this performance. Performers are Crescendo Chorus, Vocal Ensemble and Soloists, with Period Instruments, directed by Christine Gevert. LATE SPRING 2019 CONCERT "Prince of Light and Prince of Darkness" Motets and Madrigals by Monteverdi and Gesualdo May 18, 6 pm Saint James Place, Great Barrington, MA May 19, 4 pm Trinity Church, Lakeville, CT Claudio Monteverdi lived in a time of great change, as the vocal polyphony of the Renaissance gave way to the textures of the early Baroque. He harnessed both styles with great skill, sometimes contrasting them in the same work, and wrote successfully in every vocal genre. His contemporary Carlo Gesualdo's vocal music is among the most experimental and expressive of the late Renaissance. One of the most obvious characteristics of his music is the extravagant text setting of words representing extremes of emotion. This program features sacred and secular motets and madrigals by the two composers. Crescendo Vocal Ensemble is directed by Christine Gevert from the organ.

When: Aug 24, 2018 6pm to May 19, 2019 8pm in Great Barrington, MA
Cost: 160 - 400 USD
Is The U.S. a Force for Good in the Mid-East? Danny Sjursen
Major Danny Sjursen (U.S. Army -ret.) will survey U.S. regional interventions since 9/11 and intersperse his analysis of the counterproductiveness and criminality of these actions with his own personal journey from a promising military career to a life of dissent while on active duty. Danny Sjursen is a retired U.S. Army Major and regular contributor to antiwar.com, Truthdig, The Nation, Tom Dispatch, The Huffington Post, and The Hill. His work has also appeared in Harpers, The LA Times, and Buzz Feed. He served combat tours with reconnaissance units in Iraq and Afghanistan and later taught history at his alma mater, West Point. He is the author of a memoir and critical analysis of the Iraq War, Ghost Riders of Baghdad: Soldiers, Civilians, and the Myth of the Surge (2015). He co-hosts the progressive veterans podcast Fortress on a Hill. Follow him on Twitter at @SkepticalVet. Recent articles: "The Israel Liability: Moral and Strategic Hazards of an Ill-Advised Alliance" (March 12, 2019); "Planet of War" (Nov. 20, 2018) ; "The World According to the 'Adults in the Room': A Year of Forever War in Review" (Dec. 23, 2018); "An Officer's Path to Dissent" (Jan. 3, 2018).  Video: "US Hegemony in the Middle East" (July 5, 2018) This event is part of the Distinguished Peacebuilder Series.

When: Apr 25, 2019 7pm to Apr 25, 2019 9pm in Great Barrington, MA
Cost: 0 - 75 USD
Guillaume de Machaut's Remede de Fortune at Blue Heron

A feast of poetry, song and visual art, animated by a surprisingly Zen-like philosophy.

 

Machaut’s Remede de Fortune tells the tale of a woebegone lover who is counseled by Lady Hope on how to be happy and persevere in the face of the ups and downs dished out by Fortune and her Wheel. Blue Heron's presentation is a multimedia version of the Remede, with narration, projected surtitles and illustrations from manuscripts curated by Machaut. The program includes all of the music included in the poem, and more. Come see the show the Boston Musical Intelligencer called "captivatingly expressive".

 

Free pre-concert talk at 7:15 PM by Matilda Bruckner (Boston College, retired)

Doors open at 7 PM

~~~

If this sounds like a dry music history lesson, it wasn’t. The music is beautiful, alternating between haunting and jolly, and the narration is engagingly colloquial (“He’s as clueless as a caged bird”). In addition to playing splendidly, the musicians displayed a wry sense of humor, imitating bird songs in a garden scene and making trumpet sounds to herald the beginning of a feast. The first Kyrie from Machaut’s Messe de Nostre Dame made you want to hear this group perform the whole setting. And Estampies that Nagy arranged from other Machaut tunes sounded completely authentic. ... This program is a keeper.

Daniel Hathaway, ClevelandClassical.com, March 13, 2017

Get Tickets
Website: blueheron.org
Email: office@blueheron.org
Phone: 617-960-7956
Cost: $10 - $75
Location: Blue Heron First Church in Cambridge, Congregational 11 Garden Street Cambridge, MA 02138





When: Apr 26, 2019 8pm in Great Barrington, MA
Cost: $10 - $75
Paper Marbling Demonstration

At her eponymous gallery in Great Barrington, Lauren Clark will be demonstrating the ancient craft of Turkish Paper Marbling. A hit with adults and children alike, everyone loves to see the magic of marbling!  Lauren has been a paper marbler for over 30 years, teaching workshops at her Great Barrington studio, IS183 in Stockbridge, and Connecticut’s Brookfield Craft Center. Her work can be found at art supply and fine art paper stores, and been made into seven books by Dover Publications.  She is also a picture framer and the owner/director of Lauren Clark Fine Art, a contemporary craft and art gallery in Gt. Barrington, MA.  The event is open to all community members.

 



When: Apr 28, 2019 12am in Great Barrington, MA
The Lost Music of Canterbury
BUY TICKETS

The acclaimed professional vocal ensemble Blue Heron celebrates the completion of its 5-CD series “Music from the Peterhouse Partbooks” in grand style with a gorgeous program of highlights from this treasurehouse of music, a set of partbooks copied around 1540 for Canterbury Cathedral. We are thrilled and deeply honored to be joined for the occasion by Nick Sandon, the world’s leading expert on the Peterhouse partbooks and the restorer of their missing parts, without whose astonishing and utterly persuasive recomposition of missing lines (principally the tenor, whose partbook was lost centuries ago) none of the unique Peterhouse music could be sung in modern times.

Doors open at 7 PM / Pre-concert talk begins at 7:15 PM
FREE Pre-concert talk by Nick Sandon (University of Exeter, retired)
“The singing is both precise and fluid, immaculate and alive” Alex Ross (The New Yorker, Aug. 24, 2015)

This program is supported in part by a grant from the Cambridge Arts Council, a local agency which is supported by the MA Cultural Council, a state agency.

 

ArtWeek discount code ARTFRI17 will provide a 50% discount on all tickets (Note: no double discounts).

$65 Sec. A reserved
$45 Sec. B reserved
$32 Sec. C general
$27 Sec. C senior discount
$10 Sec. C student/low income discount

(Under 18 always admitted free)



When: Apr 28, 2019 12am in Great Barrington, MA
Taking Apart the Partbooks
Blue Heron Presents A Day of Music & Talks Celebrating the Peterhouse Partbooks BUY TICKETS

We celebrate the completion of our 5-CD series Music from the Peterhouse Partbooks with a special day of events devoted to this source and its historical context. We are thrilled and deeply honored to be joined for the occasion by Nick Sandon, the world’s leading expert on the Peterhouse partbooks without whose astonishing and utterly persuasive recomposition of missing lines none of the unique Peterhouse music could be sung in modern times. Professor Sandon has recently completed a decades-long project to reconstruct the missing tenor parts of fifty works.

This symposium-like event will feature talks by Nick Sandon (University of Exeter, retired), and James Simpson (Harvard University), an expert on iconoclasm during the Reformation; a lecture-demonstration by Scott Metcalfe and Blue Heron; and an hour-long Blue Heron concert.

Special for ArtWeek attendees, use code ARTSAT17 for 50% off the $95.00 fee. Free for students with I.D. Click here to learn more about the Peterhouse Parbooks. 



When: Apr 29, 2019 12am in Great Barrington, MA
Eudaimonia and Rossi’s Italian Shabbat

Eudaimonia, A Purposeful Period Band, presents the recreation of a 17th century Mantuan sabbath service with the music of Salamone Rossi blended with ancient chant from Roman synagogues. Special for ArtWeek, there will be a Q & A and informational interludes about the local humanitarian organizations featured. This concert, featuring a core of Boston’s finest period instrumentalists from the ensemble, is a collaboration with the Longy School of Music’s Historical Performance department, led by Eudaimonia’s directors, harpsichordist Vivian Montgomery and violinist Juila McKenzie. Admission is “Pay What You Decide”.



When: Apr 30, 2019 12am in Great Barrington, MA
Artful Projections After Dark

The community is invited to join us for a special evening of Visual Wow and Dancing to Joe’s accompanying fun beats! Joe Wheaton, light show extraordinaire, will present his latest art video projections at the gallery’s outside event space.  Wheaton has been known for 30 years in the Berkshires and beyond for his graceful metal sculpture, and more recently for his energetic, “art in motion” video projections.  Meet the artist while enjoying this rare multimedia experience live in the outdoor sculpture event and seating area.  Refreshments will be served, this event is 21+.



When: May 5, 2019 12am in Great Barrington, MA
VIVA LA FEMME – Celebrating Women in the Arts

VIVA LA FEMME  exhibiting contemporary artists will talk about their artwork and journey as creative females.  Women have always been creative, yet not as frequently acknowledged through art history as their male counterparts.  Female artists now have the opportunity to have their voices and talents recognized, appreciated, and honored. This event will open up a dialogue between the community and these artists. Artists talks begin at 6:15 followed by a reception with live Bossa Nova Jazz Music by Vita Kay.

 



When: May 6, 2019 12am in Great Barrington, MA
Brahms: Ein deutsches Requiem
UPDATE: Due to excess demand for our First Church concert, we have relocated our concert to Jordan Hall. The concert will still be on May 10th at 8pm. Tickets are available through the link on our website here: https://www.jamesonsingers.org/concerts Current ticketholders will receive an email containing instructions for receiving a new ticket from Jordan Hall at no additional charge. Thank you for your overwhelming support, and we look forward to seeing you in May! ** The Jameson Singers present Ein deutsches Requiem by Johannes Brahms Join the Jameson Singers for their performance of Johannes Brahms's masterwork Ein deutsches Requiem. Chosen by Dr. Jameson Marvin as his final project conducting the Jameson Singers, this profound work will enrich our emotions through Brahms's expressive nuances, haunting harmonies, and intricate contrapuntal textures. Brahms referred to this as a "Human Requiem", choosing words of solace, peace, and hope drawn from his studies of the Old and New Testaments of the German Lutheran Bible. Now in his fiftieth year as a choral conductor and praised by the Boston Globe as a "musician of consummate mastery", Dr. Marvin was Director of Choral Activities at Harvard University from 1978 to 2010. He founded the Jameson Singers in 2010, and under his leadership they have become one of the premier choruses in the Boston area. Please join us for this memorable musical send-off. Jameson Marvin, conductor Katharine Dain, Soprano Paul Max Tipton, Baritone Brahms Orchestra Daniel Stepner, Concertmaster Friday, May 10, 2019 at 8PM Jordan Hall New England Conservatory 30 Gainsborough Street Boston, MA

When: May 10, 2019 8pm to May 10, 2019 10pm in Great Barrington, MA
Cost: 15 - 50 USD